Intellectual Property and the Future of the Music Industry Essay

Corruption, Conscience, and Copyright: The Current State of Intellectual Property and the Future of the Music Industry â€Å"Today’s pirates operate not on the high seas but on the Internet, in illegal CD factories, distribution centers, and on the street. The pirate’s credo is still the same--why pay for it when it’s so easy to steal? The credo is as wrong as it ever was. Stealing is still illegal, unethical, and all too frequent in today’s digital age. That is why RIAA [Recording Industry Association of America] continues to fight music piracy.† – RIAA.com The human conscience is a powerful tool. And if you are like most Americans, you probably consider yourself to be a rather moral person, at least based upon your own morality, your own conscience. Chances are, however, that you have engaged in some form of illegal activity during your life: speeding down a familiar road, jaywalking across an empty street, driving with a broken blinker. Assuming you consider yourself to be of high moral stature, how does your conscience reconcile this? The answer: the unlawful does not always imply the unethical, and that which is illegal is not necessarily immoral. Since the digital revolution in the 1990’s, the downloading of copyrighted music has skyrocketed. The Recording Industry Association of America, RIAA, has denounced music piracy, claiming that it is both illegal and immoral. And they drive a hard bargain, arguing the following: 1. Downloading music is against the law. 2. Downloading music betrays the songwriters and recording artists who create it. 3. Downloading music stifles the careers of new artists and up-and-coming bands. 4. Downloading music threatens the livelihood of the thousands of working people who are em... ...ec_39_00000201----000-.html Blackburn, David. On-line Piracy and Recorded Music Sales. Dec. 2004. http://www.katallaxi.se/grejer/blackburn/blackburn_fs.pdf CD Baby. Who/What are we? http://cdbaby.com/about Holahan, Catherine. Downloading Music’s New Deal. Business Week Online. Oct. 31, 2006. p8-8, 1p. Leach, Eric and Henslee, Bill. Follow the Money: Who's Really Making the Dough? Nov. 1, 2001. http://emusician.com/mag/emusic_follow_money_whos/index.html Lessig, Lawrence. The Limits of Copyright. June 19, 2000. http://www.lessig.org/content/standard/0,1902,16071,00.html McCourt, Tom, and Burkart, Patrick. When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution. 2003. Sage Publications. Music United. Why You Shouldn't Do It. http://www.musicunited.org/4_shouldntdoit.html

Performance Style of Dave Brubeck

The performance style of Dave Brubeck Dave Brubeck’s unique performance style is characterized primarily by his use of polytonality, polyrhythm, and immense amounts of improvisation. His style grew from his upbringing and as he put it, â€Å"different approach to all of the normal things†. By no means did Dave take the normal approach; he made it all the way threw the conservatory with out being able to read the piano music he was playing. His ability to think on the spot and his amazing ear took jazz to the next level.He took jazz to a world of difficult technicality and created sounds with depth that amazed all who had the opportunity to listen to him. Brubeck once stated, â€Å"And there is a time where you can be beyond yourself. You can be better than your technique. You can be better than most of your usual ideas. And this is a whole other category that you can get into†-Dave Brubeck. Brubeck always went above and beyond, breaking convention. It is this unc onventional approach that defined Dave Brubeck’s Style. Polytonality as Dave described it, â€Å"(is) using multiple key centers at the same time. He was known for incorporating this technique in to many of his performances, although he admits to not knowing that he is doing it at the time. He naturally did things that were way ahead of his time. His compositions were known to use polytonality although Dave probably would not play them as he had notated them on the page. In the Dave Brubeck Oral History Project he describes a polytonal piece; â€Å"One of the early pieces I wrote in 1946 as a student with Darius Milhaud, had three different clefs instead of two clefs treble, treble, bass rather then treble clef, bass clef.And, I'd be playing a swing bass in this hand in one key, and then adding on these other things in other keys. † The use of this technique is very aptly described by Mark McFarland who wrote; â€Å"Brubeck's use of polytonality helps to project a ge neral decrease or increase in relative dissonance, thereby clarifying the formal structure on both the small- and large-scale. The comparison with tonal theory extends to include pivot chords; with Brubeck, such chords simultaneously serve as the final chord in a polychordal passage and as the first and most exotic chord in a tonal passage. †Dave Brubeck’s use of polytonality in his performance of jazz standards had a permanent affect on the history of jazz. He brought old tunes to new levels of technicality and virtuosity and in a greater sense, defined a new era in which new ideology and contemporary progression came to light. In 1961 Dave Said â€Å"I wanted to do things poly-rhythmically because I thought that jazz was much too tame. The way I wanted to set up the group was that the drummer would be playing one rhythm, the bass player another rhythm, and Paul [Desmond] and I could play in either of those rhythms or a new rhythm . . it’s time that jazz musici ans take up their original role of leading the public into more adventurous rhythms. † Polyrhythm is defined by the Grove Music Dictionary as; the superposition of different rhythms or meters. Meaning that you have two or more conflicting pulses in piece. Dave believes his best example of polyrhythm can be found in his solo on Raggedy Waltz at carnage hall. He describes that â€Å"one two, one two† is on the left hand against the waltz in 3 in his right hand. This is only one of many examples of Dave’s use of â€Å"poly-rhythmical play†.He is also known for writing pieces in what are generally considered to be strange meters for jazz. For example Take 5, Unsquare dance or Blue Rondo A La Turk. These pieces feature drastically different rhythmic structures then what was normal were a driving force in what made Dave Brubeck’s music popular. His unique way of interpreting standards using polyrhythms and giving them an entirely new feel and inspiring a generation of musicians to go further outside the box in jazz performances. Brubeck’s polyrhythmic ideas challenged the minds of both performers and listeners.Improvisation has been an essential part of jazz sense its origin, however Dave Brubeck took it to a whole new level. During his time at College Of The Pacific he managed to get all the way to his last year before any one knew that he couldn’t read music. This was all because of his remarkable improvisation skill and excellent ear. He tells a story of a recital he played at Mills College under Darius Milhaud, where he draws a blank in the middle of the first of two pieces but instead of stopping he simply begins to improvise freely and does the same for the second piece.At the end of the concert the audience applauded being none the wiser, this is because of his ability to so improvise with such complexity so freely. The only person who knew what happened Darius Milhaud who told him â€Å"Boo-Boo [nick name for Brubeck] , very good, but not what you wrote! † Brubeck credits much of his inspiration for such improvisation to the great Johan Sebastian Bach, because of the similarity between the figured base that Bach would play over with the choir and the chord changes that he and other jazz musician play over today.With the inspiration of Bach and his own remarkable natural abilities, Brubeck challenged conventional improvisation and built a complex foundation for a new form of improvisational jazz. Dave Brubeck’s performance style can be described using many musical terms such as polytonal or polyrhythmic, but the truly defining factor of his performance style is that it is unique. He himself admits to having each solo being a different from the next often not grasping the true complexity of what he had just played. Ever performance is different from the next. Dave Brubeck is great because he is unique.

How Do You Remove Salt From Water

Ive been asked How do you remove salt from water? enough times that I suspect finding the answer to the question is a common science assignment. So... how do you do it? You can boil or evaporate the water and the salt will be left behind as a solid. If you want to collect the water, you can use distillation. One way to do this at home would be to boil the saltwater in a pot with a lid. Offset the lid slightly so that the water that condenses on the inside of the lid will run down the side to be collected in a separate container. Congratulations! Youve just made distilled water. When all of the water has boiled off, the salt will remain in the pot. Evaporation works the same way, just at a slower rate. To evaporate water to obtain salt, place the salt water in a wide, shallow dish. This shape offers maximum exposed surface area, which aids evaporation. You can speed up the process by placing the dish in a warm, sunny window or by blowing a fan over it. If you place it outdoors, evaporation is quick on a warm, sunny, breezy day. It will be slower on a cloudy, cold, or humid day. Crystallizing salt from salt water doesnt leave behind pure water, although it does remove a lot of the salt. The remaining liquid will be a less-than-saturated solution.

Lord of the Flies by William Golding - 591 Words

What is the true nature of man? Are we as humans born naturally good, but corrupted by society? Or are we born partly evil and can be turned good through laws and life-lessons taught through society? That is a famous argument between writers William Golding and Jean Jaques Rousseau. They argued over the nature of man. Golding believes we are all born with some evil, and Rousseau believes we are all born as good people. I believe Golding has the best argument, that people born with some evil can be turned good through society. William Golding states his beliefs towards the argument through his famous book, â€Å"Lord of the Flies.† In his story, several young boys are left on an island alone and have to find a way to survive hunger, thirst, and themselves. In the book, Golding has an ongoing rivalry between the two main characters, Ralph and Jack. Both are young children with a thirst for leadership over the others. Ralph is a calm, nice, brave, and good-natured person. Jack g reatly differs from Ralph. He is menacing, animal-like, and dangerous. Their conflict is a good-example in defense for Golding’s argument because of how it contrasts their two personalities. Ralph is a natural-good leader and person because he learned how to be a good person through rules taught through his parents and society. Jack, however, was most-likely not taught these rules or has possibly forgotten about them, which means he still has more of the dark side everyone is born with. There is aShow MoreRelatedLord Of The Flies By William Golding869 Words   |  4 PagesLord of the Flies Psychology Sometimes people wear fake personas like a cloak over their shoulders, used to hide what is really underneath. This harsh reality is witnessed in William Golding’s classic Lord of the Flies, a novel that is famous for not only its sickening plot, but also for the emotional breakdowns all of its characters experience. These issues are akin to those shown in certain real-world psychological experiments. A summary of Golding’s Lord of the Flies, combined with the evidenceRead MoreThe Lord Of The Flies By William Golding1347 Words   |  6 Pages The theme of The Lord of the Flies, by William Golding, is the reason society is flawed is because people are flawed. Although Piggy is knowledgeable, he has many flaws including his laziness and physical inabilities. Ralph is an authority seeker. He sets rules and laws, yet does little to enforce them. Ralph wants to be the ruler, without doing the work to enforce his laws. Jack is persistent. He is rude, harsh and violent in or der to get what he wants. He wants to be supreme. Piggy’s flaws areRead MoreLord Of The Flies By William Golding1123 Words   |  5 PagesIn the novel Lord of The Flies by William Golding, the characters Ralph, Piggy, and Jack represent important World War II leaders Franklin Roosevelt, Adolf Hitler, and Winston Churchill. Golding, who had served in World War II, was well aware of the savagery created, and used it to base his book on. Ralph represents Franklin Roosevelt , Jack represents Adolf Hitler, and Piggy represents Winston Churchill. Ralph being of the novel’s main protagonist is important in the outcome of the story becauseRead MoreThe Lord Of The Flies By William Golding1065 Words   |  5 PagesThe Lord of the Flies Essay The Lord of the Flies written by William Golding and published on September 17, 1954 is a story told about a group of stranded boys and their fight for survival against the wilderness and themselves. In this story many signs of symbolism are used by Golding to point out certain aspects of society that Golding thought strongly of. This story on first read may just seem to be a survival- esque piece of literature but, on a deeper look one can find Golding’s true motiveRead MoreLord of The Flies by William Golding619 Words   |  2 PagesGovernments are no different; they fight for power just like the rest of us do. They just do it on a much bigger scale. Qualities from Oligarchy, Totalitarianism, Democracy, Dictatorship, and Anarchy governments are used in several parts of Lord of The Flies that represent different characters and different situations. An Oligarchy is a small group of people having control of a country or organization. A Totalitarianism government is a form of government that permits no individual freedom and thatRead MoreThe Lord of the Flies by William Golding1306 Words   |  5 PagesIn The Lord of the Flies, William Golding creates a microcosm that appears to be a utopia after he discharged from the British Royal Navy following World War II. After an emergency landing, Golding places a diverse group of boys on the island that soon turns out to be anything but utopia. The island the boys are on turns out to be an allegorical dystopia with inadequate conditions (Bryfonski 22). The boys reject all lessons they learned from their prior British society, and they turn towards theirRead MoreLord of the Flies by William Golding932 Words   |  4 Pagesdiscussing two particular themes from a novel called Lord of the Flies by William Golding. Lord of the Flies was written in 1954 after World War II. Ruler of the Flies is a purposeful anecdote about something that many readers can’t really describe. Individuals cant choose precisely what. Its either about the inalienable underhanded of man, or mental battle, or religion, or personal inclination, or the creators emotions on war; however William Golding was in the Navy throughout World War II, or perhapsRead MoreLord Of The Flies By William Golding1383 Words   |  6 PagesAccording to Lord of the Flies is still a Blueprint for Savagery by Eleanor Learmonth and Jenny Tabakoff, the words â€Å"I’m afraid. Of us† first appeared in Golding’s novel 60 years ago. Lord of the Flies by William Golding follows a group of schoolboys trapped on an island after a plane crash during a world war. At the beginning, they celebrate as the y have total autonomy as there are no adults around. They attempt to establish a civilization but when order collapses, they go on a journey from civilizationRead MoreLord of the Flies, by William Golding1055 Words   |  5 Pages In William Goldings Lord of the Flies a group of English school boys crash land onto an uninhabited island somewhere in the Mid Atlantic ocean. Ralph, the protagonist and also the elected leader, tries to maintain peace and avoid any calamity on the island. However, Jack is neither willing to contribute nor listen because he is jealous of Ralph and has a sickening obsession with killing boars. Ralph has some good traits that help him maintain peace and balance for a period of time. He is charismaticRead MoreLord Of The Flies By William Golding Essay1475 Words   |  6 Pages Outline Introduction Short intro for Lord of the Flies Short intro on Gangs The bullying and group mentality demonstrated in gangs has resemblances to the characters in Lord of the Flies. II. Bullying/Group mentality Gangs Drugs/Loyalty B. Lord of the flies Jack kills the pig/Jack and Ralph fight III. Effects B. Lord of the flies Jack killing the pig aftermath Violence IV. Conclusion Gangs are considered a group of people that have a common link together

America Seems to Be Moving towards a Two Class System...

Fine dining restaurants, upscale stores, and discount stores are prospering. Meanwhile, more casual restaurants and stores are suffering. This can be described as the byproduct of the lower and upper classes taking over our economy, as the middle class slowly diminishes right before our eyes. John G. Maxwell, head of the global retail and consumer practice at PricewaterhouseCoopers stated this, â€Å"As a retailer or restaurant chain, if you’re not at the really high level or the low level, that’s a tough place to be. You don’t want to be stuck in the middle.† Middle class jobs are continuing to decline and before we know it America could be looking at a two class system rather than the three class system. The middle class began in 1914, 100†¦show more content†¦These contracts provided workers with ample benefits and contributed just as much as Ford’s five dollars a day, in creating the true middle class in the United States. Nowadays, th e middle class is shrinking, while majority of people are either moving into the lower or upper classes. This is due to the major economic and policy changes that have occurred throughout the past thirty years. Based on the Basic Economy Security Tables, one in four full-time working-age adults are not earning enough income to meet economic needs for themselves or their families. This is a serious problem in America today, the fact that the median income today is six hundred dollars less than it was in 1989 is proof of this epidemic. It is much harder now, than ever, to work your way into the middle class, much less stay there. The percentage income growth since 1967 for the top 5 percent of earners is 88%, top 20 percent of earners grew 70%, and middle-income households only grew 20%. (Camp) In simpler terms, the upper classes income has increased tremendously, while middle-income households have seen very little growth in their income. Since the middle class is not receiving any i ncome growth, it is declining and moving towards the lower class. It is not nearly as easy as it was thirty years ago to get a decent job and makeShow MoreRelatedPromises Not Kept : Poverty And The Betrayal Of Third World Development1969 Words   |  8 Pagesplanet are poor. Most live in the third-world countries of Asia, Africa, and Latin America, where the typical standards of living are so far below that of the industrialized countries. Many lack adequate nutrition, shelter, and clothing. They are susceptible to disease and early mortality. In his book, Promises not kept Isbister explains to us that most of the people living in poverty stricken Asia, South America, and Africa are plagued by disease, danger and uncertainty. Isbister asks us theRead MoreThe Choice Of A Career Essay2106 Words   |  9 Pagesfirst year of college. From early childhood, people are asked what they would like to be when they grow up. 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Neo-Realism vs Neo-Liberalism Free Essays

Kayla Ferry Political Science 150 Dr. Byron October 5, 2010 1) Neo-realism, also known as structural realism see international politics as a power struggle between states. Conflicts between states and security competition are due to a lack of â€Å"an overarching authority above states and the relative distribution of power in the international system† (Dunne 98). We will write a custom essay sample on Neo-Realism vs Neo-Liberalism or any similar topic only for you Order Now Scholar Kenneth Waltz defined the structure of the international system in three elements: organizing principle, differentiation of units, and distribution of capabilities.To structural realists the distribution of capabilities gives important insight to grasping international outcomes, and the relative distribution of power in the international system is the strategic variable to understanding such outcomes. Structural realists argue that the number of great powers that exists concludes the structure of the international system. Waltz describes the structure as the â€Å"ordering principle of the international system, which is anarchy and the distribution capabilities across units, which are states† (Dunne 127).Neo-realists also believe the structure of the international system shapes all foreign policy choices and see power as the collective competences of the states. In other words the more power a state has in the international system the more influence they have on world affairs. However the flaw that accompanies neo-realism, is the increase of the application of â€Å"self-help†, a. k. a. increase of military security. Neo-liberalist agrees largely with the views and beliefs of neo-realists, â€Å"the anarchic international structure, the centrality of states, and a rationalist approach to social scientific inquiry† (Dunne 115).The main difference between the two theories is neo-liberalist believe that anarchy does not mean the arrangements of cooperation are impossible. International regimes are the implementer for cooperation. Arguments made by neo-liberalists believe that academic inquiry is guided by a commitment to a scientific approach to theory building. In other words, personal beliefs and views cannot alter hypothesis made towards international politics. A separation of fact and values is the only way to insure an accurate theory. According the neo-liberalist, â€Å"the post-1945 orld order has been successful and durable because US hegemony has been of a liberal character† (Dunne 117). The downside of the hegemonic power is it has produced unequal gains for the West and the rest of the world. It is unresponsive to the needs of weaker states and people, which is seen with how the hegemonic power flexes its authority by the controlling of institutions, markets and resources. In contemporary international system, the application of the neo-liberal theory is apparent throughout foreign policy.Even in President Bush’s speech on the after math of 9/11. 2) Although neo-realism and neo-liberalism theories both agree that the international system is anarchic, they differ on all other accounts. Neo-realists believe that anarchy puts more constraints on foreign policy. Neo-realists also argue that neo-liberals overlook the importance of relative gains, and the most important goal of states in cooperation with each other is to prevent others from gaining more.With neo-realism, advocates believe that in the international system, anarchy forces states to be more concerned with relative power, security and survival. According to neo-realists, capabilities of states are a necessity for the security and independence of a state, and by not knowing another states intentions or interests forces other states to focus on their capabilities. In regards to institutions and regimes, neo-liberals â€Å"claim that they facilitate cooperation, and neo-realists say that they do not mitigate the constraining effects of anarchy on cooperation† (Dunne 133).The neo-neo debate goes back and forth and many other topics, only because they study different worlds of international politics. Globalization has raised even more concerns for neo-realists, largely because they are more cautious about cooperation and see the world and its politics as very competitive. It is clear, in my opinion that neo-liberalism is by far the better theory. It allows the more powerful states to boost their economy, increase a state’s gains and gives states more influence on foreign policy. 3) Marxism gives a different view of world politics.Marxists believe that the world should be studied as a whole, and that the process of historical change is an effect of the economic development of the society. It is a different view of the world politics since it focuses more on economies of key states. Constructivists believe that the world is socially constructed, allowing them to investigate global change and transformation. This provides constructivists to use diffusion, which concerns how â€Å"particular models, practices, norms, strategies, or beliefs spread within a population† (Dunne 168).Institutional isomorphism (an issue that is observed by conservatisms, sees that the organizations that contain similar environments will eventually resemble each other), and internalization of norms (the belief that what is considered norm al for a society, does not come out of nowhere but evolves through a political process), raise issues of an increasing homogeneity in world politics, a closer international community and socialization process. These different theories provide a different grasp and insight on world politics, allowing the liberalism theory to be better molded and applied to a larger area of the international system. How to cite Neo-Realism vs Neo-Liberalism, Papers